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Kenny Rogers may be best remembered for introducing world pop audiences to the charm of country music houses. His job as ambassador was not only open to the ears of the audience. Perhaps more than any other Nashville-born act of his generation, Rogers, who passed away on Friday at the age of 81, has sounded freely in other sounds and styles. his long and varied catalog, with his many collaborations, is a testament to both his musical interest and his strict commercial sense.

Looking now, it clearly shows how native music, in many ways a hidden genre, would evolve after Rogers appeared.

21 No. A member of the country music chamber that has won 1 country hit, Rogers realized that he is a strong person and unchanging, and of course, a warm, soothing voice – the right amount of adult sex appeal can provide some kind of continuity that allows him to experiment without major to alienate fans. Today we call that continuity a sensible approach to branding, and indeed Rogers qualified his music star as a successful frontier as an actor and entrepreneur with his own rotisserie-chicken restaurant chain.

Back in the 70s and 80s, it was his music that made Rogers an important base between his country of origin and his true pop power in the 90s. Here are 10 of Rogers' longest-running songs listed in chronological order.

I just threw in (to see what my condition was) (1967)

Before he found stardom in Nashville, and soon after getting into dope, jazz, and folk music, Rogers turned Top 10 into a lead singer of the First Edition with this neat explosion of pop psyche.

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Ruby, Don't Love Your City (1969)

Rogers translated the First Edition into country music by the song of this vivid story (written by Mel Tillis), in which the singer depicts a paralyzed Vietnam veteran whose wife comes out on him.

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Lucille (1977)

Another neatly watched historical ballad, Rogers, as the man with whom the married woman continues, the singer's first major solo hit also won her three Grammy-winning awards.

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Gambling (1978)

Rogers' signature song defines the hard wisdom of a poker player: "You need to know when to spend," you know when to fold. – through an easy country that helped him do what neither Bobby Bar nor Johnny Cash did. could do with a melody; Top Billboard chart.

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Coward Of County (1979)

As in most of his songs, Rogers did not write that cruel account that the raped young man avenges one of his three brothers after they raped a man's girlfriend. (Accredited by Roger Bowling and Billy Ed Wheeler). But Rogers' intimate vocal performance is a fine example of the compassion he found in the commentary.

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Lady (1980)

Written and produced by Lionel Richie, the silky, sensual Lady was spoiling the line between country music and R&B decades before Sam Hunt and RMR.

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We Have This Tonight (1983)

Rogers' sloppy voice naturally shaped him to cover Bob Seager's ballad of the late 1970s. But the song, as a duet with Shina Eton, added a layer of modern adult Polish that drew fans across the country and rock.

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Islands in the Stream (1983)

Rogers' smash duet with Dolly Parton – the creation of a stunning studio of Bee Gees whose strong harmonies are evident around the world – has led to additional singles and a concert tour duo, as well as a joint Christmas album and accompanying TV special. 1998 : Transforming producer Wyclef Jean Islands in the stream how Ghetto Supastar (Here's What You Are) for his Fugees orchestra for Pras Michel.

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What would you say about me? (1984)

Trust the presence of the great James James Ingram (who passed away last year) to push one of his vigorous vocals on Rogers in this slow-paced jam featuring Kim Carnes and co-author Richard Markle.

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Make no mistake, he's mine (1987)

Generally, the duo of Carnes and Barbara Strizand, captured a few years ago, Make no mistake, he is mine The pair, Rogers, met Ronnie Millsap for a tale of two smooth-talking men who fought for the same woman's love. – By Michael Wood / Los Angeles Times / Tribune News Service

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