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WHEN the current President of the United States remarkably clarified one of his statements to Russia, singer Richard Markle quickly hit his Twitter account.

"I was misguided," Marx wrote in July. "I meant to say I'm not right here, I'm waiting for you," referring to his hit single, which will turn 30 next year.

Twitter liked 260,000 times and returned 72,000 times.

"I knew it would bring some attention, but I didn't expect it," Marx laughs.

In a social media scene where musicians play it safe, Marx's Twitter is surprisingly sincere. He takes the kitty out of himself, shouts at his heroes, and is not afraid to go hard on Trump or engage in vigorous debate.

"I'm very important to politicians," he says.

"But I have clear opinions on this President and the administration. I do not believe that at the moment there is any politician in the scene who has the benefit of anyone other than them.




“I get a kick out of being creative on Twitter. I respect everyone who just wants to keep it about themselves and their brand, and what their new album or movie is. I get it, it's probably wiser. And sometimes I have to stay away from it because it can be so useless. People are so hostile, saying unfamiliar things they would never say to a face, a scary keyboard thinking. But for the most part, I find it humorous. ”

Marx, 55, sold more than 30 million records in the late 80s and early 90s, including hits such as Hazard, Endless Summer Summer, which should have been better known, pleased and aforementioned right here.

The Australian audience saw the latter being used in the "Hotels combined" ad. The brand initially wanted to just use the song, then accompany Marx down when they offered him a role on the screen, singing the piano playing the song behind the couples ordering hotels in bed.

"I thought they were so funny and fun," Marx says of the ad.

She confesses that she is not protected or dear to the song that many people marry.

“This song is almost 30 years old. It served its purpose. It was written in a very selfish and personal way. Within a year of that, it became the anthem for the millions of people around the world who accepted it for their own lives. Therefore it has its own life.

“I didn't even blink, thinking it might be too irreparable for the song. I just don't accept things that should be seriously laughed at. It doesn't hurt the song. If it spoils the song for someone, it should take them to their doctor or psychologist because it is ridiculous.

"Combined hotel advertising would make a lot of people in Australia look at Wikipedia. They may know the song, but they think: "Who's that guy? That song is older than most of the audience watches."

Marx has not had a album "Beautiful Goodbye" since 2014, but is working on a new record, including a song written with musical legend Burt Bacharach.

"Everything is there, from pretty heavy guitar rock songs to modern country songs and live pop," says Marx.

He has no illusion about releasing new material, it would be easy for the artist who has been involved in nostalgia.

“I have retired from what they are. Modern pop music has always been for young people. On the one hand, I really get it and I don't stop there. On the other hand, sometimes I think this new song I wrote is better than I did, of course I want people to listen.

“I haven't been caught in those things. I had a great opportunity for many years, where everything I put out paid attention, and now it's time for other people. It doesn't mean I'm not writing and recording yet, but like many artists of my age, my focus has been on performing and memorizing songs and playing them for people who still want to

listen to them. I walk more than ever and enjoy more than ever. ”

He will be returning to Australia in November-December for a series of solo concerts and A Day Green concerts featuring one of his heroes, Fon Farnham.

Their companionship begins with the first Australian tour of Australia in the late 1980s, where Farnham came behind the scenes and invited the American to hang out the next day.

They then wrote songs together (four of which were completed on the 1993 album "Again" by Framingham) and performed at the ARIA Awards. When asked to share a stage with him in Australia, Marx quickly said yes.

“I haven't seen John Oni for over 20 years. The last time I saw him, he was still a bull.

“Johnny's talent is amazing and he is a lovely, compassionate person. I would love to sing something with her on this tour if she wants to. I'm happy to jump under pressure or whatever he wants. "

Farnham has been working on new music and recently told News Corp that at age 69 he was struggling to find words that fit his age.

"I'm going to start working on an age-appropriate song for her now and continue her tour," Marx jokes. "With what feet is it invisible?"

Richard Marx, Astor Theater, November 22; A Day on the Green, Leconfield Wines, McLaren Vale, November 24; Thebarton Theater, Adelaide, November 25; Green Day, Esca Bimbadgen, Hunter Valley, December 1; December 2 – green, cozy wines, cotton mountain. State Theater, Sydney, December 4, Eaton Hill Ballur, Brisbane, December 5; The Star, Gold Coast, December 6; Pala Theater, Melbourne, December 7; December 8th (sold out), 9th Green, Rockford Wine Day.

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