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CLEVELAND, Ohio – One of the great signs in the United States Carnegie Museum of Art Pittsburgh has a huge sky-high gallery containing over 140 buildings ranging from Ancient Greece and Rome to the Roman and Gothic eras and the Renaissance.

When it opened in 1907, the: Hall Extermination Hall was designed to pay close attention to the masterpieces of Western architecture, presenting them as examples worthy of study and skill.

Chinese artist Lu Wei sprays this idea on his head.Invisible cities”Installation at the Cleveland Museum of Art, part of a two-part exhibition shared by the Cleveland Museum of Modern Art.

The two screenings, which are Louis' first solo concert in the US, take their name from the classic novel by Italian writer Italo Calvino in 1972, in which young Marco Polo entertains Mongolian fairy tales with Cuban Khan.

Visiting the Cleveland Museum of Art is a counterpoint to architecture. In 2014, Louis presents half a dozen large-scale sculptures assembled under the heading "Love it, Bite", depicting neoclassical and Gothic-style structures, including domes, towers and palaces.

Instead of designing its architectural evocations from plaster or a number of other materials commonly associated with architectural models, Louis has used the treatment of edible animals, mainly the humid litter used for dog chewing.

And instead of putting his structures in balance and symmetry, he shows them in a state of disorder and decay.

The raw model of a dome-house in the center shows itself melted and concealed, like a gloomy wedding cake. A tower like Babylon hangs on the ceiling and turns to the other side, throwing it down to the base.

The circular, drum-like portion of the building, which was supposed to support the dome, is shown next to it, the inner chambers of which are unexpectedly open for inspection. And a dome-like building reminiscent of classics like St. Peter's Basilica of Rome leans sideways, as if collapsing in a drunken pile.

Louis cuts western architecture to size, then treats it as a toy for cheerful aesthetic thinking. Its setting is humorous, but with an edge. Apologizing to writer Karl Marx, it suggests that anything solid and structured in culture can melt into your mouth, at least if you're a cop.

It is a disturbing rotation of architecture that was originally designed on the scale of the human body of thought, and whose columns, legs, and arches are embodied in forms and proportions of elaborate systems of proportions and proportions that express physical forces by playing the art of collecting engraved blocks. : stone on each other.

However, Western architecture from Ancient Greece and Rome to the Renaissance expressed the presence of sacred forces and the desire to mediate between heaven and earth through crosses and domes.

Liu, 47, based in Beijing, offers new and more powerful cultural forces in a pair of large abstract paintings, as well as in the exhibition to watch the wonderful skylines tempted by electricity flowing through massively complex networks. In these exciting, vertical landscapes, technological victories, and the humanity of the individual has disappeared.

Today is the last day of the MOCA show, which means it's the last opportunity to see how they both work together. Pictures and raw sculptures will be displayed at the Cleveland Museum of Art until Sunday, February 16.

The OOC section of MOCA, which is larger and more inclusive of Louie's extensive sensory representations, contains examples of skyscrapers from the Cleveland Museum of Art, as well as digitally luminous, sparkling sun paintings. but also hand-painted.

In the field of view, there are also sculptures made of compressed books at MOCA that look like blocks of imaginary architecture that could be assembled to create new and unusual spaces and spaces. Another set of sculptures consists of sliced ​​home appliances.

The MOCA showcase is "Microcosm", a large glass cube containing rotating abstract shapes that reflect Frank Grih's architecture or sculpted Richard Serra's lost steel planes.

Humorous sculptures in Cleveland Art represent the mild and disturbing side of Louis' artistic personality, whom ARTnews has called "a tricky mixer up".

While in China, a country that restricts free speech, he has found ways to communicate how technology and culture are accelerating at a rate of failure, bringing about changes that are both exciting and frightening. It is a huge achievement, and celebrates Liu as a major talent for years to come.

REVIEW:

What is. Lou Wey. Invisible cities. "

Place: Cleveland Museum of Art

Where: 11150 East Blvd., Cleveland

When: Sunday, February 16 (at the Cleveland Museum of Contemporary Art, the second section is at 11400 Euclid Ave.).

Admission in two places – free. Call the Cleveland Museum of Art at 216-421-7340 or go clevelandart.org. For MOCA call 216-421-8671 or go mocacleveland.org:.

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