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But his association with Monty Python, the "Monty Python Flying Circus," created his cultural base.

Monty Python Theatrical Group: From left: John O'Clese, Terry Gilliam, Terry Ones, Graham Jepman, Michael Palin, and Eric Adle.
Monty Python Theatrical Group: From left: John O'Clese, Terry Gilliam, Terry Ones, Graham Jepman, Michael Palin, and Eric Adle. PBS © Python (Monty) Pictures Ltd:

The six-member troupe, with others by Cleon Clive, Michael Palin, Eric Idle, Graham Jepman and indecent American animator Terry Gilliam – appeared on BBC-TV for the first time in 1969 and had a wonderful five-year run in England. The broadcast was exported to American Public Television in 1974 and turned into the privilege of the Python books and record films and the mini industry.

Reunion shows of reunion competitions took place, stumbling across fans who screamed all the lines. The episode reached Broadway in 2005 with the film Spamalot, based on the 1975 Monty Python and Holy Grail movie, which was a collection of Arthur legends. Spamalot, directed by Mike Nichols and Idle, won the Tony Award for Best Musical and played in New York for four years.

Python has influenced many comedians, including Steve Martin, as well as the creators of the animated sitcoms The Simpsons and South Park. "Junk email is called spam, paying tribute to one of the best-remembered sketches in the group. , presenting Mr. J Jones as a waitress who keeps a load of canned meat in every dish.

Python was often at its best when it made the most sense. Fishing dancer, salesman who was selling dead parrots, a cross-dressing stick singing (Mr. J Jones co-founded Diet, The Rough Man) and a civil servant who endorsed state grants for endless walks.

Combining rapid-fire vocabulary, historical Japan, middle-class soil pollution and the destruction of upper-class twins, Monty Python "took the insanity to rebirth levels," says television and pop culture scientist Robert Thompson.

Mr. J Jones brought a lot of devotion to his characters. These included the naked organist, Carl Mark as a lucky quiz show contest, the Spanish Inquisition balloon helping to torment the victims with a tranquil chair, as well as the creepy inn-nudge, snap, grin-grin, wink-wink, don't say it anymore ").

Often caught up in the scourge, Mr. Jones was developing a feature to describe how "average gray women" are.

"Cross-dressing seems to be a long-standing tradition of Python," wrote Philip Vukcevic at IGN 2018, "but when it does ones ons, most of its pigment makes it the most horrible sheath in the whole country. »:

One of her most notable female roles was in Python's "Life of Brian" (1979).

The biblical romp and satire of religious zealotry, directed by Mr. Jons and produced by the former Beatle George lamb Harrison, was about a young Jewish man (Chapman) who was born the same day and in the stable next to Jesus, and who is mistaken. For the Messiah. Mr. Horse portrays Bryan's mother, who is upset that her son's followers have gathered at her door. "He is not the Messiah," he says with a splash. "He's a very naughty boy."

In conjunction with Ill William, Mr. Jons combined "Monty Python and the Holy Sepulcher" and "The Meaning of Life" (1983). Finally, the very old concept of the concept of birth, death, sex, religion, class, and the very concept of purification, Mr. Jons played the invisible candied Creosote, which shelled the vomit by devouring a tremendous amount of fine food. '' This is a very high class social satire, not so fast, maybe, but it is really fast and tough and sour, '' wrote Los Angeles Times columnist Sheila Benson.

Python historian Richard Topping noted that one of Mr. J Jones' major creative legacies was behind the camera, focusing on editing and production values ​​and providing the "comic rhythm and visual logic that so many Python materials are so resistant to."

He, for example, ensured that the landscapes of the western paroches filmed in Britain produced American territories, not the surrounding English cities. It was a lesson he learned from the worship of a silent-era fanatical master.

"My big hero is Buster Cayton because he made the comedy look great," Mr. Jons said to David Morgan about Monty Python Speaks! "He didn't say, 'Oh, it's a comedy, so we don't. You don't have to worry about how it looks. ” Its appearance must be very important, especially since we were doing stupid things. It must have integrity in it. ”

Terence Graham Parents Ons was born in Calvin Bay, Wales. The family soon moved to Claygate, near London, for his father's banking job.

Mr. Johns was the captain of his private school's rugby team, but his interest in poetry brought him a connection with Palin at Oxford University in the early 1960s. The duo created a sketch comedy troupe, and for several years contributed to satirical television programs such as 'The Fracture Report'.

Clive, Chapman and Adle, all of the University of Cambridge graduates, and Gilliam, who had emigrated, also worked in light entertainment on British television. Clice and BBC producer Barry Tok accredit writer-performers for organizing "Monty Python's Flying Circus", chosen for the stinky theatrical book monikers and World War I airborne shorthand. The combination of those expressions didn't mean anything, but that was the point.

Competitive aspirations eventually disbanded the team, though the group reunited. Clive went on to create the British sitcom British Towers (1975-79) and wrote and directed the film "Fish Called Wanda". Gilliam directed films that included "Brazil" (1985) and "King of the Fishes" (1991). Palin became a prominent traveling writer and documentary host. The idiot continued his acting and writing. Chapman, who is an alcoholic, died of cancer in 1989.

Mr. Well, during the whole hearty celebration of the 40th anniversary of the Monty Python Comedy Theater.
Mr. Well, during the whole hearty celebration of the 40th anniversary of the Monty Python Comedy Theater. Getty Images / File 2009 via AFP

"He was much more than one of the fun writers of his generation," his frequent writing partner Palin told the British Press Association. “He was a complete Renaissance comedian. Writer, director, announcer, historian, brilliant children's author, and the hottest, wonderful company you would like to have. "

Speaking to BBC Radio on Wednesday, Radio von Clice said Mr Jons brought "endless energy and excitement" to everything he did. He also had the confidence to guide, argue, take on new things, which Cless said was jealous. "Brian's life was his masterpiece," he said.

Mr. John Jones had several parts in the film, including as a hermit whose covenant of silence is cut with a stinging finger, and like Bryan's mother, who is struggling to get a crowd of fans out of work with a simple message: "Where's Sh?"

But Clays said he would remember him as Mr. Crosota, whose titanic appetite made him swing like a balloon. (Mr. J Jones also corrected the outline that ends with a bad image.) "I would think he was going to explode," said Kles.

Mr. Jons' directing career continued with an uneven parade of film credits as he immersed himself in a literary career. His offer to invest in rare books by the accountant aroused his interest in the Middle Ages. His "Knight of Power. Medieval Mercenary Portrait ”volume (1980) created his reputation for scholarship, leaving humorous turns in expression. The Economist appraiser called him "an impressive jurist."

Mr. Jons has also written children's books. Many of his volumes, including The Eric Viking Saga (the basis for one of his films), have created mature and even disturbing themes, including the tendency for human violence to be ingenious.

In 2005, Mr Jons' personal life was scrutinized by a tabloid when he discovered that he and his wife of about 35 years, Alison Telfer, had been married openly, and that she had been involved with a Swedish student at Ann Sodstrom, whose interests included modern languages. , belly dance and Monty Python.

His marriage to Telfire ended in divorce. In addition to Soderstrom, whom he married in 2012, Mr. Jons leaves two children from his first marriage, Sally and Bill, and the second to his daughter, Siri.

In 2009, Mr. Jones spoke to The New York Times about Python's constant appeal, and why, joking, his success meant that it yielded to his unconfirmed aspirations.

'' The only thing we all agreed on was our main goal – to be completely unpredictable and never to repeat ourselves, '' he said. 'We wanted to be incomprehensible. That "pythonesque" is now adjective in O.E.D. means we have failed completely. "


Materials from the New York Times were used in this treasury.

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