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Don Felder titles Jer the Happy Rhythm Grill.

MARSHAL TL. – Get involved in some kind of "lightening", Don Felder encourages fans on his latest album.

"That's exactly what I'm doing. to write, record, play and tour, ”said Felder.

Speaking on the phone from her home in California, the former Eagles guitarist says she's worried that people are listening to a concert on her American rock and roll album, including "Evening With Don Felder" on February 7th. »: “On the grateful rhythms of the marshal Jer.

Guitar Player magazine referred to "American Rock & Roll" as "the biggest guitar album of the year" in the cover story. It was not unhappy that Felder hosted as a guitar friend who is a guest as Sammy Hagar, Slash, Richie Sambora, Orianti, Peter Frampton, Satrian, Bob Weir and Alex Lifeson.

"I used to play every guitar on the previous album," Felder said. "It really worked out great, but when I look back, I realize that the one thing missing is the spontaneous excitement and fire that comes with sitting in a control room with a musician, maybe someone you've never met, maybe one. You have known for years and have no idea what you are going to create together.

“It was fun, exciting and other energy. I mean, as Satrian still lives most of the guitar and rock, he pushed me out of my comfort zone. I was like: "You mean I have to follow it." But then I had to present something, and he had to follow it. Then I have to follow it. "

Sometimes, when he performs with Satriani's Rock You, Felder addresses the crowd.

"I give her a hat tip and say this is one of the hardest things I've ever had to do, copy and paste on J Satrian and myself on the same song," Felder said.

Although Felder had a high-quality flight with him.

The bassist played with Richard Marx and Kenny Loggins, drummer Pat Benatar, and the keyboardist toured with Whitney and was with the Brothers for their 1994 Hell Freezes Over Tour.

"And I have this young guitarist David Mihre, who's under fire. He has starred with Kid Rock, Kenny Jessie and Tanya Tucker. Everyone in the band sings. It's high-caliber music. We are by no means your normal bar band. Some of the Eagles songs that we've been playing since the early 70's sound better than when the original band was playing them. "

Felder, a native of Gainesville Fla. In the homeland, joined the Eagles in 1974, bringing a strong guitar sound that helped the band transition from its country-rock roots to a direct rock sound. When Walsh's guitar joined the Eagles in 1975, the band had an enviable one-two punch.

Founding member Bernie Lidon had left the Eagles at the time, but he first advised Felder how to write a song with two of the band's famous vocalists, Glenn Frey and Don Henley. Felder followed that advice and went down in history as the guy who co-authored the Eagles' epic "Hotel California" and one of the band's worst guitar hits, "Victim of Love."

"Bernie Lyndon says if you want to write with Don Henley and Glenn, don't write melodies, don't write harmonies; just write a music bed and leave room for a song above them. I had a demo, and I gave the tape to Henley and Glenn, and they liked the tracks that became 'Victim of Love' and 'Mexican Reggae', which was exactly how Hotel California started, 'Felder said. "I had to go back and listen to that tape, and I would see what's on it."

These Eagles classics and several others regularly perform at Felder Concert Halls.

Fans can count on him singing "Heavy Metal (Takin & # 39; a Ride)", his theme song for the 1981 animated film "Heavy Metal". Felder was an intriguing choice for that assignment, as his style was not heavy metal but rock fans. He loved his rocks and the song became a hit on FM radio.

Felder remembers: “The director called me to watch the film first. I had no idea what to expect. At first I thought of this weird, animated, adult film aimed at stoners. I figured it would be a huge hit or a huge jump, but I'm rolling the dice. I came up with the idea for the song on the disc and immediately went into the studio to work on it. ”

After all these years, he still records frequently in his California home studio, never returning to the road.

"I tried to retire once when I was 52," said Felder. “I spent 10 days on the golf course. But within 10 days of chasing the little white ball, I thought I couldn't do it anymore. I have to do what gives me light and connects me.

"I don't need to spend another time," Felder said. "I just do it because I love to play."

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